{"created":"2023-05-15T09:01:21.151729+00:00","id":2109,"links":{},"metadata":{"_buckets":{"deposit":"4f9237de-1b12-4ade-be9a-e55bfcc910b2"},"_deposit":{"created_by":3,"id":"2109","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2109"},"status":"published"},"_oai":{"id":"oai:hirosaki.repo.nii.ac.jp:00002109","sets":["375:380:1731462958951:408"]},"author_link":["5207","5211","5208","5210","5212","5209"],"item_5_alternative_title_21":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"The Physical Movements in the Japanese Music Education : On the Singing Games in the Meiji Era ; the Discussion about the Relationship between Dance and Music"}]},"item_5_alternative_title_22":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"ニホン ノ オンガク キョウイク ニオケル シンタイ ヒョウゲン ノ アリカタ : メイジキ ノ ショウカ ユウギ オ チュウシントシテ ブトウ ト オンガク ノ カンケイ ニツイテ ノ コウサツ"}]},"item_5_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1992-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"67","bibliographicPageEnd":"63","bibliographicPageStart":"45","bibliographic_titles":[{"bibliographic_title":"弘前大学教育学部紀要"}]}]},"item_5_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"音楽教育において,｢身体表現｣はリズム教育の効果的方法として,欠かすことのできない重\n要なものであると考えられている｡小学校学習指導要領の表現の項目には｢拍の流れやフレーズを感じ取って,演奏したり身体表現したりすること｣(1- 4学年),｢拍の流れやフレーズを\n感じ取って,強弱や速度の変化に応じた演奏をしたり,身体表現をしたりすること｣(5,6学\n年)とうたわれている｡また1,2学年の鑑賞の項目においても,教材は｢日常の活動や経験に\n関連して親しみやすく,身体反応の快さを感じ取ることができる楽曲｣とある(小学校学習指\n導要領,傍点筆者)｡しかし,現在の音楽教育では,このような身体表現が十分生かされている\nとはいえず,教材や指導点の点で検討を要する点が少なくない｡その原因の一つは,明治の唱\n歌遊戯以来,20世紀のダルクローズ,オルフに至るまで,日本のリズム教育が外来のものを拠\nりどころとしたことにある｡本稿は,明治後期の唱歌遊戯の特質と問題点をさぐり,また,冒\n本のわらべ歌のリズム,日本舞踊の表現にも目を向けた上で,舞踊と音楽の関係について美学\n的,民族音楽学的考察を加えたものである。","subitem_description_type":"Abstract"}]},"item_5_description_7":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_description":"弘前大学教育学部紀要. 67, 1992, p.45-63","subitem_description_type":"Other"}]},"item_5_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"5209","nameIdentifierScheme":"WEKO"}],"names":[{"name":"イマイ, タミコ"}]},{"nameIdentifiers":[{"nameIdentifier":"5210","nameIdentifierScheme":"WEKO"}],"names":[{"name":"ササモリ, タケフサ"}]}]},"item_5_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"5211","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Imai, Tamiko"}]},{"nameIdentifiers":[{"nameIdentifier":"5212","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Sasamori, Takefusa"}]}]},"item_5_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"弘前大学教育学部"}]},"item_5_radio_42":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_radio_item":"Article"}]},"item_5_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00211590","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0439-1713","subitem_source_identifier_type":"ISSN"}]},"item_5_subject_19":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"760.7","subitem_subject_scheme":"NDC"}]},"item_5_subject_23":{"attribute_name":"NIIサブジェクト","attribute_value_mlt":[{"subitem_subject":"音楽","subitem_subject_scheme":"Other"}]},"item_5_text_4":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"弘前大学教育学部音楽科教室"},{"subitem_text_value":"弘前大学教育学部音楽科教室"}]},"item_5_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"今井, 民子"}],"nameIdentifiers":[{"nameIdentifier":"5207","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"笹森, 建英"}],"nameIdentifiers":[{"nameIdentifier":"5208","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-03-12"}],"displaytype":"detail","filename":"AN00211590_67_45.pdf","filesize":[{"value":"1.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"AN00211590_67_45.pdf","url":"https://hirosaki.repo.nii.ac.jp/record/2109/files/AN00211590_67_45.pdf"},"version_id":"dff58e38-57fe-4e8b-81a6-075f43f02d68"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"日本の音楽教育に於ける身体表現のあり方 : 明治期の唱歌遊戯を中心として,舞踊と音楽の関係についての理論","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"日本の音楽教育に於ける身体表現のあり方 : 明治期の唱歌遊戯を中心として,舞踊と音楽の関係についての理論"}]},"item_type_id":"5","owner":"3","path":["408"],"pubdate":{"attribute_name":"公開日","attribute_value":"2008-06-08"},"publish_date":"2008-06-08","publish_status":"0","recid":"2109","relation_version_is_last":true,"title":["日本の音楽教育に於ける身体表現のあり方 : 明治期の唱歌遊戯を中心として,舞踊と音楽の関係についての理論"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2024-11-13T03:09:23.550574+00:00"}