{"created":"2023-05-15T09:01:22.968108+00:00","id":2141,"links":{},"metadata":{"_buckets":{"deposit":"9309d56e-5f64-470e-9838-a54859a8f1d0"},"_deposit":{"created_by":3,"id":"2141","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2141"},"status":"published"},"_oai":{"id":"oai:hirosaki.repo.nii.ac.jp:00002141","sets":["375:380:1731462958951:415"]},"author_link":["5344","5343","5345","5346","5348","5347"],"item_5_alternative_title_21":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"A Study of Score Reading : A Study of the Time Signature of \"Debussy : Prludes pour piano 1^er livre-X\""}]},"item_5_alternative_title_22":{"attribute_name":"タイトル(ヨミ)","attribute_value_mlt":[{"subitem_alternative_title":"ドクフ ニ カンスル イチコウサツ : ドビュッシー ゼンソウキョクシュウ ダイ1カン ダイ10キョク ノ ヒョウシ キゴウ ニ カンスル ケントウ"}]},"item_5_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1996-10-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"76","bibliographicPageEnd":"48","bibliographicPageStart":"41","bibliographic_titles":[{"bibliographic_title":"弘前大学教育学部紀要"}]}]},"item_5_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"クロード・ドビュッシーは,自らの音楽を後世に伝える「楽譜」という媒介,あるいは「記譜」という作業にたいして,極めて慎重かつ厳格な音楽家であった。したがって, ドビュッシーの音楽を演奏する際に正確な「読譜」を行なうことは,全ての演奏者に課せられた義務といえる。\nところが,「前奏曲集第1巻・第10曲」に記された拍子記号を,単純な数の計算上の論理に則して読譜したのでは,音楽としての自然な流れを損なう結果を招くことになる。\nよって演奏者には,機械的な「解読作業」ではなく,楽譜から読みとられた音楽が,音楽的コンテクストのうえで適切であるか否かを,常に見極めながら「読譜」を行うことが要求される。それは, ドビュッシーが単なる記号の集合体としての楽譜に託したメッセージ-音楽を,ドビュッシーの意志に照らし合わせながら,有機的に再創造してゆく過程にはかならないのである。","subitem_description_type":"Abstract"}]},"item_5_description_7":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_description":"弘前大学教育学部紀要. 76, 1996, p.41-48","subitem_description_type":"Other"}]},"item_5_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"5345","nameIdentifierScheme":"WEKO"}],"names":[{"name":"アサノ, キヨシ"}]},{"nameIdentifiers":[{"nameIdentifier":"5346","nameIdentifierScheme":"WEKO"}],"names":[{"name":"キガワ, タカユキ"}]}]},"item_5_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"5347","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Asano, Kiyoshi"}]},{"nameIdentifiers":[{"nameIdentifier":"5348","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Kigawa, Takayuki"}]}]},"item_5_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"弘前大学教育学部"}]},"item_5_radio_42":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_radio_item":"Article"}]},"item_5_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00211590","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0439-1713","subitem_source_identifier_type":"ISSN"}]},"item_5_subject_19":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"761.2","subitem_subject_scheme":"NDC"}]},"item_5_subject_23":{"attribute_name":"NIIサブジェクト","attribute_value_mlt":[{"subitem_subject":"音楽","subitem_subject_scheme":"Other"}]},"item_5_text_4":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"弘前大学教育学部音楽科教室"},{"subitem_text_value":"弘前大学教育学部音楽科教室"},{"subitem_text_value":"Department of Music, Faculty of Education, Hirosaki University"},{"subitem_text_value":"Department of Music, Faculty of Education, Hirosaki University"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"浅野, 清"}],"nameIdentifiers":[{"nameIdentifier":"5343","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"木川, 貴幸"}],"nameIdentifiers":[{"nameIdentifier":"5344","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-03-12"}],"displaytype":"detail","filename":"AN00211590_76_41.pdf","filesize":[{"value":"418.9 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"AN00211590_76_41.pdf","url":"https://hirosaki.repo.nii.ac.jp/record/2141/files/AN00211590_76_41.pdf"},"version_id":"20e9abf4-2375-41e3-91cb-f94b7265b454"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"読譜","subitem_subject_scheme":"Other"},{"subitem_subject":"拍子記号","subitem_subject_scheme":"Other"},{"subitem_subject":"再創造","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"「読譜」に関する一考察 : 「ドビュッシー:前奏曲集第1巻・第10曲」拍子記号に関する検討","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「読譜」に関する一考察 : 「ドビュッシー:前奏曲集第1巻・第10曲」拍子記号に関する検討"}]},"item_type_id":"5","owner":"3","path":["415"],"pubdate":{"attribute_name":"公開日","attribute_value":"2008-05-01"},"publish_date":"2008-05-01","publish_status":"0","recid":"2141","relation_version_is_last":true,"title":["「読譜」に関する一考察 : 「ドビュッシー:前奏曲集第1巻・第10曲」拍子記号に関する検討"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2024-11-13T03:12:39.502215+00:00"}