{"created":"2023-05-15T09:01:24.649459+00:00","id":2166,"links":{},"metadata":{"_buckets":{"deposit":"4719e0b6-5ed1-456a-bfa7-bf0a1102ec07"},"_deposit":{"created_by":3,"id":"2166","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2166"},"status":"published"},"_oai":{"id":"oai:hirosaki.repo.nii.ac.jp:00002166","sets":["375:380:419"]},"author_link":["5211","5207","5209"],"item_5_alternative_title_21":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"A Quarrel between the Gluckists and the Piccinnists"}]},"item_5_alternative_title_22":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"グルック ピッチン ニ ロンソウ ニツイテ"}]},"item_5_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1998-10-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"80","bibliographicPageEnd":"36","bibliographicPageStart":"29","bibliographic_titles":[{"bibliographic_title":"弘前大学教育学部紀要"}]}]},"item_5_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿では,第2次ブフォン論争といわれるグルック-ピッチンニ論争の本質を明らかにする\nため,ピッチン二派のマルモンテル,グルック派のアルプ,中立派のシャバノンの論考,及び\nこの論争とは無縁であったモーツァルトのオペラ論を検証する｡古典主義の立場からグルック\nの表現を激しすぎると退けるマルモンテルは,同時にイタリア音楽の声楽美の濫用にも批判の\n目を向け,一方アルプは,グルックのオペラ改革の成果を評価しつつ,深い感動を誘うピッチ\nンニオペラの魅力も認める｡また,旋律と和声をともに認めるシャバノンの見解は,ルソーと\nラモー以来の旋律･和声論争に終止符を打つものとして注目される｡イタリア派の一人として,\n音楽の詩に対する優位を主張するモーツァルトは,グルックとは対極のオペラ作曲家といえる｡\nこれらの見解は,18世紀音楽の中心主題であったイタリア音楽対フランス音楽,旋律対和声の\n問題の終悪を意味するものといえよう。","subitem_description_type":"Abstract"}]},"item_5_description_7":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_description":"弘前大学教育学部紀要. 80, 1998, p.29-36","subitem_description_type":"Other"}]},"item_5_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"5209","nameIdentifierScheme":"WEKO"}],"names":[{"name":"イマイ, タミコ"}]}]},"item_5_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"5211","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Imai, Tamiko"}]}]},"item_5_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"弘前大学教育学部"}]},"item_5_radio_42":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_radio_item":"Article"}]},"item_5_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00211590","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0439-1713","subitem_source_identifier_type":"ISSN"}]},"item_5_subject_19":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"766.1","subitem_subject_scheme":"NDC"}]},"item_5_subject_23":{"attribute_name":"NIIサブジェクト","attribute_value_mlt":[{"subitem_subject":"音楽","subitem_subject_scheme":"Other"}]},"item_5_text_4":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"弘前大学教育学部音楽教室"},{"subitem_text_value":"Department of Music, Faculty of Education, Hirosaki 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