@article{oai:hirosaki.repo.nii.ac.jp:00005592,
 author = {清水, 稔},
 journal = {弘前大学教育学部紀要},
 month = {Mar},
 note = {People continue to engage in creative endeavors because they are aware of the possibility that there is“ something” superior to the current state of things. It has, as yet, exceeded conscious representation in externalized creative works. This“ something”is what exists beyond immediate, tangible conscious perception; hence, there is neither“ being” nor“ nothing” but rather a generative tension producing the impetus to create. Thus, we only encounter its tangible reality when the intangible perception is reified. Doing so involves a creative process of trial and error. The paper aims to define such an encounter with internal, undefined phenomenological objects whose existence within consciousness triggers a creative action and/or process. To this end, we adopt the phenomenological point of view outlined in Kitaro Nishida and Bin Kimura 's thesis.},
 pages = {71--80},
 title = {音楽の創造行為における試行錯誤の理論化の試み（２）―現象学視点による創造行為の外的な契機と内的な契機の定義―},
 volume = {121},
 year = {2019}
}