{"created":"2023-05-15T09:04:31.286910+00:00","id":5592,"links":{},"metadata":{"_buckets":{"deposit":"6751c8d8-ac7e-410a-90bf-76bcecbd2db2"},"_deposit":{"created_by":11,"id":"5592","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"5592"},"status":"published"},"_oai":{"id":"oai:hirosaki.repo.nii.ac.jp:00005592","sets":["375:380:963"]},"author_link":["19564","19565","19563"],"item_5_alternative_title_21":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Re-considering the concept of trial and error for creative music-making : Definition of external triggers and internal opportunities for creative acts based on phenomenological viewpoint"}]},"item_5_alternative_title_22":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"オンガク　ノ　ソウゾウ　コウイ　ニ　オケル　シコウ　サクゴ　ノ　リロンカ　ノ　ココロミ　2　ゲンショウガク　シテン　ニ　ヨル　ソウゾウ　コウイ　ノ　ガイテキ　ナ　ケイキ　ト　ナイテキ　ナ　ケイキ　ノ　テイギ"}]},"item_5_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03-28","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"80","bibliographicPageStart":"71","bibliographicVolumeNumber":"121","bibliographic_titles":[{"bibliographic_title":"弘前大学教育学部紀要"}]}]},"item_5_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":" People continue to engage in creative endeavors because they are aware of the possibility that there is“ something” superior to the current state of things. It has, as yet, exceeded conscious representation in externalized creative works. This“ something”is what exists beyond immediate, tangible conscious perception; hence, there is neither“ being” nor“ nothing” but rather a generative tension producing the impetus to create. Thus, we only encounter its tangible reality when the intangible perception is reified. Doing so involves a creative process of trial and error. The paper aims to define such an encounter with internal, undefined phenomenological objects whose existence within consciousness triggers a creative action and/or process. To this end, we adopt the phenomenological point of view outlined in Kitaro Nishida and Bin Kimura 's thesis.","subitem_description_type":"Abstract"}]},"item_5_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"19564","nameIdentifierScheme":"WEKO"}],"names":[{"name":"シミズ, ミノル"}]}]},"item_5_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"19565","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Shimizu, Minoru"}]}]},"item_5_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"弘前大学教育学部"}]},"item_5_radio_42":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_radio_item":"Article"}]},"item_5_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00211590","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0439-1713","subitem_source_identifier_type":"ISSN"}]},"item_5_text_4":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"弘前大学教育学部音楽教育講座"}]},"item_5_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"清水, 稔"}],"nameIdentifiers":[{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-04-23"}],"displaytype":"detail","filename":"BFEduHirosaki_121_71.pdf","filesize":[{"value":"657.0 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"BFEduHirosaki_121_71.pdf","url":"https://hirosaki.repo.nii.ac.jp/record/5592/files/BFEduHirosaki_121_71.pdf"},"version_id":"f8d78bf4-d657-487f-abc1-5880dab7a81f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"音楽教育","subitem_subject_scheme":"Other"},{"subitem_subject":"試行錯誤","subitem_subject_scheme":"Other"},{"subitem_subject":"哲学","subitem_subject_scheme":"Other"},{"subitem_subject":"欲望","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"音楽の創造行為における試行錯誤の理論化の試み（２）―現象学視点による創造行為の外的な契機と内的な契機の定義―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"音楽の創造行為における試行錯誤の理論化の試み（２）―現象学視点による創造行為の外的な契機と内的な契機の定義―"}]},"item_type_id":"5","owner":"11","path":["963"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-04-23"},"publish_date":"2019-04-23","publish_status":"0","recid":"5592","relation_version_is_last":true,"title":["音楽の創造行為における試行錯誤の理論化の試み（２）―現象学視点による創造行為の外的な契機と内的な契機の定義―"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2023-05-15T11:16:44.911984+00:00"}