@article{oai:hirosaki.repo.nii.ac.jp:00005941,
 author = {清水, 稔},
 journal = {弘前大学教育学部紀要},
 month = {Mar},
 note = {On the time axis of the“ absolute difference” that constantly becomes the past, human beings are required to create sounds and music that satisfy endless desires in a world external to the subject. In short, musical improvisation taking place in unique places and times is suitable or a musical activity. But why, in that relationship, is the desire to leave music that is produced as a piece of work?　This paper is a philosophical consideration of why there is an act of composition. It can be said that works are simply the techniques of music making in musical activity and should be viewed as new opportunities for creation. In other words, the“ mono” (things and objects of consciousness), established as complete, are again converted into unfinished music and defined as an expression of“ Yo-ha-ku” (margin or blank area).},
 pages = {83--93},
 title = {音楽の創造行為における試行錯誤の理論化の試み（４）－「作品」と作曲行為の関係についての考察 ～「もの」が「もの」をつくりゆく世界とはどのような意味か －},
 volume = {123},
 year = {2020}
}